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Blogroll
- Deconstructing Korea A Cultural Studies/Ethnic Studies consideration of Korea
- Digital Shakespeares
- EthnoScopes : Tracks of an Anthropologist A dance across time and space between the ancient and the modern in bustling South Korea
- Every Bob Dylan Song Sporadic Musings on the Greatest Musician Ever
- Footnotes on mask dance play, pungmul, Korean academia, and much else
- Stephen Jones: a blog Daoism—lives—language—performance. And joke
- The Grand Narrative Korean Feminism, Sexuality, Popular Culture
- timbre.tales on classical music in Korea, both old and new
- Tokyo Stages Japanese contemporary theatre and performing arts
- Verdi in Seoul Historical Musicology
Gugak News
- Gugak FM / 국악방송 Gugak radio station (Korean)
- Gugak People / 국악디지털신문 Gugak Magazine (Korean)
- Gugak Portal Arirang / 국악포털 아리랑 (K) Gugak online portal (Korean)
- Lara Da / 라라다 Gugak Magazine (Korean)
Journals
- Acta Koreana by Academia Koreana (Keimyung University)
- Asian Music by the Society for Asian Music
- Asian Music (JSTOR)
- Asian Music (Project MUSE)
- Asian Theatre Journal by Association for Asian Performance (AAP)
- Asian Theatre Journal (JSTOR)
- Asian Theatre Journal (Project MUSE)
- Borrowers and Lenders: The Journal of Shakespeare and Appropriation
- Brecht Yearbook / Brecht Jahrbuch by International Brecht Society (IBS)
- Communications from the International Brecht Society by International Brecht Society (IBS)
- Critical Stages / Scènes critiques by International Association of Theatre Critics
- Cross-Currents by Institute of East Asian Studies, UC Berkeley & Research Institute of Korean Studies, Korea University
- Ethnomusicology by Society for Ethnomusicology (SEM)
- Ethnomusicology (JSTOR)
- Journal of Asian Studies by Association for Asian Studies (AAS)
- Korea Journal by Academy of Korean Studies
- Korean Anthropology Review Korean anthropology in translation
- The Journal of Global Theatre History by Centre for Global Theatre History, LMU Munich (gen. eds. Christopher B. Balme and Nic Leonhardt, open access)
- The World of Music (JSTOR)
- The World of Music (New Series)
- Theatre Research International by International Federation for Theatre Research (IFTR)
- Transactions of the Royal Asiatic Society Korea Branch
- Yearbook for Traditional Music by International Council for Traditional Music
- Yearbook for Traditional Music (JSTOR)
Music Ensembles
- Badaksori – 바닥소리 ‘new pansori’ (창작판소리) ensemble
- Baramgot – 바람꽂 fusion-gugak ensemble including Indian instruments and electronica
- Dasrum – 다스름 female gugak chamber orchestra (여성국악실내악그룹)
Organisations
- Association for Asian Performance The Association for Asian Performance (AAP) began as a focus group of ATHE but is now its own, incorporated, non-profit group of scholars and artists interested in the theatre and theatrical performance traditions of Asian regions.
- Association for Korean Music Research The Association for Korean Music Research is a special interest group of the Society for Ethnomusicology.
- International Federation for Theatre Research The International Federation for Theatre Research (IFTR) exists to promote collaboration and the exchange of information between individuals and organisations concerned with theatre research.
- Korea Cultural Heritage Foundation 한국문화재보호재단 (CHF): Official institution dedicated to the preservation and promotion of traditional culture, runs performances at various locations, including the royal palaces in Seoul
- Korea Verband e.V. An open, politically independent and German-speaking information and cooperation platform for all who are interested in the history and culture of Korea as well as the latest developments on the Korean Peninsula
- Korean Theater Studies Association 한국연극학회: Publisher of quarterly 한국연극학, available for download under 학회지
- Koreanische Brecht Gesellschaft 한국 브레히트 학회: Founded in 1989, the Korean Brecht Society publishes the journal -Brecht und das Moderne Theater- (브레히트와 현대연극), which can be accessed from the homepage (Korean only)
- National Theater Association of Korea Inc. 한국연극협회: Publishes the monthly Korea Theatre Review (한국연극, preview available on homepage)
- The Korean Association of Theatre Critics 한국연극평론가협회: A chapter of The Association of International Theatre Critics, publishes the quarterly Korean Theatre Journal (연극평론)
- The Learned Society of Korean Drama and Theater 한국극예술학회: Founded in 1986, focusing on Korean theatre, dramatic literature, cinema, and TV drama, publishes the bi-annual Journal of Korean Drama and Theatre (한국극예술연구)
- The Shakespeare Association of Korea 한국셰익스피어학회
Theatre Ensembles
- Company ChungWoo 극단청우: Founded in 1994 by young theatre makers (among them director 김광보) as an alternative to the commercially driven theatre system
- Michoo Theatre Company 극단미추: Founded in 1986 by director Sohn Jin-chaek (손진책), now one of the most prominent theatre makers in Korea, the company is devoted to the modernization of tradition
- Minjung – 극단 민중 Minjung Theatre Company
- Mokhwa – 극단 목화 Mokhwa Repertory Company: Famous for performing plays written and/or directed by OH Tae-sook (오태석)
- Myung Pum – 명품극단 Myung Pum Theater Company: Productions based on novels (Korean modern classics and Russian authors)
- National Theater Company of Korea 국립극단
- Sanwoollim Theatre Company 극단 산울림 소극장장 Theatre company with a venue in Sinchon, known for its 60s production of “Waiting for Godot”
- Street Theatre Troupe – 연희단거리패 Founded by famous playwright/director LEE Youn-taek (이윤택) in 1986, runs its own “Guerilla Theatre” (게릴라극장) in Daehangno
Tools
- PlayDB – 플레이DB Portal on performers and performances of all kinds, including news from the world of entertainment (Korean only)
Venues
- Doosan Art Center 두산아트센터 Theatre with gallery, owned by the Doosan conglomerate, Doosan LAB with showcases of new works every spring
- HanPAC Hanguk Performing Arts Center (한팩 / 한국공연예술센터): Comprises two venues, Daehangno Arts Theater (대학로예술극장) and Arko Arts Theater (아르코예술극장), despite the different names both in close proximity in the theatre quart
- LG Arts Center LG아트센터 Theatre run by the LG conglomerate, mostly musicals and international guest performances
- Myeongdong Theater 명동예술극장: Recently re-opened branch of the National Theatre, many Western plays (번역극) in a historical location
- Namsan Arts Center 남산예술센터 formerly known as Seoul Drama Center (서울드라마센터), run by the City of Seoul as a production theatre with new plays by Korean authors, affiliated with Samil-ro Changgo Theater (삼일로창고극장)
- National Gugak Center 국립국악원, formerly known as The National Center for Korean Traditional Performing Arts
- Seoul Arts Center 예술의 전당
- The National Theater of Korea 국립극장: Home of various national ensembles (theatre, dance, changgeuk etc.)
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Tag Archives: Tradition
Whose Tradition? Acknowledgement, Adaptation, and Ownership in Korean Performing Arts (#AAP2021 Online Conference Paper)
This addendum provides some additional links and videos on the songs, choreographies, and performances I discuss in my paper “Whose Tradition? Acknowledgement, Adaptation, and Ownership in Korean Performing Arts”. I present the paper on August 2, 2021 (22:30 KST), at … Continue reading
Posted in Conference Call, Pansori
Tagged BTS, copyright, dance, dancecopyright, 박인혜, 국립무용단, 삼고무, 이매방, 이세승, Lee Seiseung, National Dance Company of Korea, Park In-hye, samgomu, Shakira, Tradition, Yi Maebang
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Routledge Handbook of Asian Theatre
It took quite a while, but finally the Routledge Handbook of Asian Theatre arrived in its full splendor: a 500-page tome covering the last hundred years (and more) of theatre in Asia, from India to Indonesia, from North to South … Continue reading
Posted in Academia, Korean Drama
Tagged Asian Theatre, Gender, Routledge, Siyuan Liu, Tradition
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Speaking in Tongues
Playing theatre is a great way to practice a foreign language. Of course, speaking in a language that is not one’s own (whatever that might mean) always involves making-believe to a certain degree. Everybody knows the strange feeling of being someone … Continue reading
Posted in Performance Report
Tagged contest, 고려대학교, 금도끼 은도끼, Fairy Tale, Folk Tale, Foreign Language, foreigner, hallyu, Image, 선녀와 나무꾼, 심청전, 제9회 전국 외국인 한국어 연극 한마당, 콩쥐팥쥐, Kongji and Patji, Korea University, performing the self, Tale of the Golden and the Silver Ax, The 9th Korean Play Contest for Foreigners, The Nymph and the Woodcutter, The Story of Simcheong, Tradition
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Branding the Filial Daughter
It seems quite fitting to watch Cheong (청 / 淸) on parents day (어버이날, 8th of May). After all, Sim Cheong (심청), the heroine of this piece of musical theatre, is the personification of filial piety (효 / 孝)—a girl … Continue reading
Posted in Performance Report
Tagged Ahn Suk-son, Andrew Killick, changgeuk, Cheong, 국립극장, 국립창극단, 심청, 판소리, 안숙선, 창극, 청, Marketing, National Brand Performance, National Changgeuk Company, National Theater, pansori, Simcheong, Tradition, Traditionesque
3 Comments
Limits of Control
Thanks to a friend who provided free tickets, I spontaneously attended an interesting concert, just around the corner, at the Mapo Art Center (마포아트센터). Only when arriving, I found out that this was the 20th anniversary of 다스름, a chamber ensemble of twelve … Continue reading
Posted in Instrumental Gugak, Performance Report
Tagged classical music, concert, dasrum, 다스름, gugak, hallyu, 한류, mapo-gu, music, pop, Tradition
1 Comment
Sängerkrieg in Seoul
When I grabbed the free paper “City” on my way down to the subway, I did not expect more than a bit of distraction. Instead I ran across two pieces on upcoming musicals that seem to be worth a watch: … Continue reading
Posted in Upcoming Performance
Tagged casting, 뮤지컬 서편제, goethe, im kwon-taek, 젋은 베르테르의 슬픔, Lee Jaram, musical, musical seopyeonje, pansori, seopyeonje, Tradition
1 Comment
Voices from the Jazz Stage
When I arrived at Sangsangmadang (상상마당) in Hongdae, supposedly to see a jazz concert—way late, I have to admit—, I was struck by a voice that I had not heard in its power and touching vulnerability for a while. It was … Continue reading
Lei-la-Lei
I got my lei today! At the registration desk in front of the J. F. Kennedy Theatre, where the conference on “Brecht in/and Asia” is about to begin. In contrast, I am still preparing my presentation—due on Saturday at 9 … Continue reading