Category Archives: Academia

Things I learned at #AAS 2017, part3 (Saturday, 18 March + Sunday, 19 March)

This year’s conference of the Association for Asian Studies (AAS) in Toronto (March 16–19), the first one I ever attended, was enormous. Still overwhelmed by the experience, I publish some of my notes on the various panels I attended and … Continue reading

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Things I learned at #AAS2017, part2 (Friday, 17 March)

This year’s conference of the Association for Asian Studies (AAS) in Toronto (March 16–19), the first one I ever attended, was enormous. Still overwhelmed by the experience, I publish some of my notes on the various panels I attended and … Continue reading

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Things I Learned at #AAS 2017, part1 (Thursday, 16 March)

This year’s conference of the Association for Asian Studies (AAS) in Toronto (March 16–19), the first one I ever attended, was enormous. Still overwhelmed by the experience, I publish some of my notes on the various panels I attended and … Continue reading

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Talking about Brecht and Pansori in Toronto #AAS 2017

I’m preparing my presentation on “The Influence of Brecht on Pansori-Theatre” (Towards a More International ‘Koreanness’?), to be held in a week at the Annual Conference of the Association of Asian Studies in Toronto. I’m very happy to be part of what will … Continue reading

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One Swallow a Day (Heungbu and Nolbu)

As I learned today, the Korean postal service uses the swallow (jebi, 제비) as its symbol, maybe because it is commonly considered a harbinger of good news. But: One swallow doesn’t a spring make, knew already Aristotle. For Heungbu, on … Continue reading

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A Tale of Two Hamlets: Taroo’s “Pansori Hamlet Project” and Tuida’s “Hamlet Cantabile”

Hamlet, once again! My double review of two Korean productions has just been published in the online journal Borrowers and Lenders. I have been intrigued by Taroo’s ongoing “Pansori Hamlet Project” (국악뮤지컬집단 타루, 판소리 햄릿 프로젝트) for quite a while, … Continue reading

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Routledge Handbook of Asian Theatre

It took quite a while, but finally the Routledge Handbook of Asian Theatre arrived in its full splendor: a 500-page tome covering the last hundred years (and more) of theatre in Asia, from India to Indonesia, from North to South … Continue reading

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