Tag Archives: changgeuk

Love Everywhere? A Short Talk about “Chunhyang on Page, Stage, and Screen”

I was invited to talk a bit about the story of Chunhyang (춘향 春香, meaning “scent of spring”), a well-known Korean folk tale about a girl and her love to a boy, against social expectations. Sometimes called the Korean version … Continue reading

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Performative Re-mediations of Tradition: Korean Singing-Storytelling Pansori in the Movie Seopyeonje and its Stage Adaptations (#CLAM2021 Online Conference Paper)

This has been some time in the making: In the following you find some resources – basic infos, videos, literature, and other links – for my presentation on Seopyeonje, a movie about pansori, and related stage adaptations, to be presented … Continue reading

Posted in At the Movies, Bibliographics, Changgeuk, Conference Call, Pansori, paper | Tagged , , , , , , , , , | 3 Comments

Beyond Tradition, Beyond Korea: New Changgeuk Repertories at the National Theater

I haven’t written on changgeuk (창극) in a while, this fascinating genre-defying “traditionesque” genre that puts a whole bunch of pansori (판소리) singers on stage to see what happens. Having seen many changgeuk pieces over the last ten years, the … Continue reading

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Upcoming Pansori and Changgeuk at the National Theater: The National Repertory Season 2017–18

The National Theater of Korea just presented its upcoming “National Repertory Season 2017–18” (국립극장 레퍼토리시즌). Every year, during the summer break, fans of gugak, pansori, and changgeuk are looking forward which new pieces will be shown, which earlier productions will … Continue reading

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Things I learned at #AAS 2017, part3 (Saturday, 18 March + Sunday, 19 March)

This year’s conference of the Association for Asian Studies (AAS) in Toronto (March 16–19), the first one I ever attended, was enormous. Still overwhelmed by the experience, I publish some of my notes on the various panels I attended and … Continue reading

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Branding the Filial Daughter

It seems quite fitting to watch Cheong (청 / 淸) on parents day (어버이날, 8th of May). After all, Sim Cheong (심청), the heroine of this piece of musical theatre, is the personification of filial piety (효 / 孝)—a girl … Continue reading

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